Monday, March 30, 2009

Dragon Ball – Evolution just Makes Akira Toriyama Cry

If you expect more about this movie, you should be ready for being disappointed.

There are so many differences between this movie and the comic book.

The director tries to create a new world or perhaps some new characters and put aside everything that has been created by Mr. Toriyama.

That’s why most of Dragon ball fans are disappointed after watching this movie.

James Wong as the director decides not to be faithful with the comic book because the movie should be different with the comic version. If the movie is same it means you just read the comic but through different media. There fore he tries to make a “new “Dragon Ball by creating new characters, plots, settings, etc.

In my opinion the director just “repairs by patching” in making this movie because there are so many scenes that look so forced and don’t make sense.

What’s wrong with this movie man?

Nothing personal to James Wong as a director. I love his Final Destination series but would say that James Wong is not the right person to direct this million plus dollars franchise…..

Why James is hired to direct this movie in the first place? It is a big mistake. Like having Ang lee directing the hulk. Hiring an Asian to direct an Asian animation epic doesn’t mean the movie will turn out great. The director must have a vision of the given materials.

Now, all I can say is this is exactly what you thought it would be. Hollywood took a popular Japanese anime, and turned it into an American teenager popcorn flick. If you are upset when a movie doesn’t stay true to the original work, then this is not the movie for you.

Chow Yun Fat, the biggest name of the characters doesn’t give his best acting and perhaps he just plays as an entertainer in this movie or just a complement. His role as Master Roshi will destroy his reputation (If we compare his acting in DBE than Crouching Tiger Hidden Dragon) it means he has made wrong decision to take a part in this movie.

The special effects are so pathetic, They look so cheap and I wonder whether Producer Stephen Chow would roll his eyes at what would be extremely pale when put side by side with his Kung Fu Hustle done many years ago.

Ayumi Hamasaki’s contribution of the theme song, RULE sounded really bad as well (I may get flack from her fans), and I guess having some Asian participation doesn’t legitimize what is essentially a poorly done movie. Not even Chow Yun Fat’s star status could save this, and you wonder what figured when this is the movie that he gave up Red Cliff for.

Overall, this movie is disappointing.

I highly recommend not watching this movie because this movie only gives big effect to our 5 year – old brother.

I give 4 out of 10 stars for this movie.

posted by: EBG-0608185

Posting & Comment

guys.. if you still have any trouble with the blog, let me show you the way :
perhaps its true but if you have another idea or found some mistakes about it, you can give a comment on it..

how to post ur blog :
  • insert user id & password of non dik a 2006
  • click posting
  • posting ur essay
how to give comment on the other posts :
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is it clear?? sorry if u find any mistake..
i'm just trying to help.. ^^

posted by : LA

Sunday, March 29, 2009

PUSH is JUMPER sequel or HEROES wannabe


Jumper or Heroes?

I think Push more like Jumper than Heroes. They both feature a small population of gifted individuals being hunted by a powerful and secretive organization and with both securing the skills of a ruthless African American Agent (In Jumper, an agent is played by Samuel L. Jackson).

I am wondering what the movie makers are thinking of their audience these days. Push is another bad Hollywood movie with nothing to offer. The entire plot is so very predictable from the start itself mashing in all new fictional physic abilities. Trust me; you have seen this movie before. If you are a younger teenager you might like this movie. But for those of you who remember the action movies of ‘90s you have seen this movie.

The Hong Kong setting is the only positive, it looks so fresh and different than others but not enough to carry the movie.

The weakness is in the story/script, it looks is just happen, and there is no historical background that explain more about this movie.

The problems are multiple and the movie ends up being incoherent.

The movie looks so fake, cheap and boring that I am trying hard to keep me from sleeping.

This movie is lack of action scenes; meanwhile I expect too much for this movie. The visual effects don’t help too much to raise the tension of its action scenes. They look so fake and cheap.

I’m surprised there is Dakota Fanning (Cassie)here and finally she has grown up. I watched Dakota Fanning two years ago in War of The World as Tom Cruise’s daughter. She plays so wonderful in that movie and can raise the audience’s emotion through her acting but I don’t see any of that here. She acts wildly by wearing a short skirt or other weird costumes, drinking alcoholic drinks or trying to show her bad temper but I think all of them are not working and they make her just like a b***h. She is clearly looking to this movie as a vehicle to bridge the transition from child performer to adulthood.

Chris Evans(Nick) couldn’t put aside the character of Johnny Storm (Fantastic Four). His acting is not brilliant but does his best with such an awful script. Meanwhile Camilla Belle(Kira) and Djimon Honsou(Carver) are just complements in this movie. The director doesn’t give enough portion for each of them so they can show how important them in this movie.

Overall, this movie is quite entertaining and it’s appropriate for you guys who look for a “light” movie. You will see the beauty of Camilla Belle or the wild side of Dakota Fanning.

I give 6 out of 10 stars for this movie.

posted by EBG - 0608185

Tuesday, March 24, 2009

Assigment: Media Review

Have a look at this article! Give your review(s) and personal comments on the article!
Please write your full name and student number when you post your comments.

The Myth of Lost Innocence

At a journalism conference a couple of years ago, I met Linda Perlstein, the author of “Not Much Just Chillin’: The Hidden Lives of Middle Schoolers.” This meeting occurred right in the middle of the “rainbow party” craze – that is to say, the media frenzy around the alleged oral activities of oversexed (and lipsticked) tweens.

Rainbow parties hadn’t actually played any part in Perlstein’s book. But that, she told me then, hadn’t stopped TV producers – representing “Oprah,” from “The Dr. Phil Show,” from a Katie Couric special – from calling and cajoling her to come on their shows to talk about them.

“I’d say, ‘No one is doing that,’” she told me when I called her this week to refresh my memory of her story. “Even the sluttiest kids I knew, when I told them about that said, ‘Ewww. No one does that.’ This really prurient stuff was being way overblown.

“Believe me, I wanted to be on ‘Oprah.’ I had a book to sell. I’d say, ‘There’s lots of stuff to talk about. Stuff that really should be talked about, that’s more nuanced and complex.’ They were like ‘Thanks, but no thanks.’”

I found myself thinking about Perlstein’s media follies this week, when I read Tara Parker-Pope’s article “The Myth of Rampant Teenage Promiscuity” in Science Times on Tuesday. For me it not only raised the issue of myth and reality (teens are, in truth, having sex less and later than they did a decade or two ago), but also brought to mind the stories that we tell and what people are willing to hear.

Two sociologists in Philadelphia, Kathleen A. Bogle, of La Salle University, and Maria Kefalas, of St. Joseph’s University, both specialists in teen sexual behavior, told Parker-Pope that they’d had to struggle mightily to get people out of their “moral panic” mindset, and make them understand that teens are not “in a downward spiral” or “out of control.”

“They just don’t believe you. You might as well be telling them the earth is flat,” Kefalas told me when I called to follow up with her this week.

This reminded me of how the developmental psychologist Joseph Mahoney – and others – have had to fight to convince people that another much-discussed creature of our time, the Overscheduled Child, isn’t as common or as stressed-out or even as busy as we commonly think. (I myself didn’t believe him at first, and wasn’t too nice about it.) It reminded me, too, of the Boy Crisis – how hard it has been for scholars who have taken a hard look at the boy/girl achievement numbers to counter the popular wisdom that boys are falling behind. And it reminded me of the Overmedicated Child, that particular trope of child corruption, soul theft and performance pressure that has for so long fascinated me.

In each of these examples, real problems – that some girls are engaging in too-young, risky and degrading sex, that some children are being stressed excessively and stifled by nonstop structure, that some boys (poor and minority boys) are doing badly in school, that some children are getting really reckless mental health services – are grossly simplified and, via the magical thinking of dogma and ideology, are elevated to the level of myth. Real complexities and nuances – details concerning exactly which children are suffering, flailing or failing, and in what numbers, and how and why, and what we can do about it – are lost.

That’s no accident. After all, moral panics – particularly those concerning children – always serve some hidden purpose. “Modern ideas about the innocent child have long been projections of adult needs and frustrations,” Gary Cross, a professor of modern history at Penn State University, writes in his 2004 book, “The Cute and the Cool: Wondrous Innocence and Modern American Children’s Culture.” “In the final analysis, modern innocence has let adults evade the consequences of their own contradictory lives.”

All the examples of child myth-making that I’ve mentioned here have to do, at base, with the perceived corruption of childhood, the loss of some kind of “natural” innocence. When they depart from kernels of reality to rise to the level of myth, they are, I believe, largely projections that enable adults to evade things. Specifically, the overblown focus on messed-up kids affords parents the possibility of avoiding looking inward and taking responsibility for the highly complex problems of everyday life.

In the case of the allegedly lascivious Lolitas, Kefalas sees this flight from reality very clearly: “People don’t want to hear about the economic context, the social context” to young teen sexual activity and teen pregnancy, she told me. “For a 14-year-old to be having sex it’s usually a symptom of a kid who’s really broken and really hurt. Those who are having sex without contraception are a distinct set: they’re poor, from single-parent households, doing poorly in school, have low self-esteem. Teen pregnancy is so high in America compared to other places not just because of access to contraception but because we have a lot of poverty. But Americans don’t want to see themselves as a poor society. They want to make a moral argument: if only teens had better values.”

Certain kinds of children have certain kinds of vulnerabilities that make them particularly susceptible to the toxic elements of our culture. This is true of those who do or don’t fall victim to stress and anxiety, and it’s true of those who do or don’t engage in too-early, too-risky sex. Certain kinds of policies can help children. (Abstinence-only sexual education clearly does not help in combating teen pregnancy.) Certain kinds of parenting can help or hurt, too.

Having a family life that’s so atomized and disconnected that children have the physical and emotional space to upload nude pictures of themselves onto the Internet, and lack the self-esteem and self-respect to know better is obviously undesirable. Being a stressed and frantic, frazzled and depressed parent is harmful, too. (“We are a mess,” Suniya Luthar, the Columbia University psychologist, once told me, explaining why she saw overscheduling as a symptom rather than a cause of family distress. “We are the ones running around like freaking chickens without a head…. It’s the situation where the captain of the ship has lost control.”)

If we parents hadn’t created a world this high-pressured, if we hadn’t, for decades, voted in policymakers who stripped away regulations that protected us, we wouldn’t be so certain that other parents are “drugging” their kids to make them more high-performing, and we wouldn’t have to be so fearful of the influence of Big Pharma.

Luthar is right: we – the adults in this society – are “a mess.” I think it’s time to stop projecting our dysfunction onto our children.


Posted by Nicke YM

Wednesday, March 18, 2009

welcome

welcome..

buat yang mau posting blognya silahkan..

english ato indonesia bebas..

kalo bisa si english kan jurusan bahasa inggris..

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